Tubbs’ Residence

Portions of the main residence date from 1792 and was built for the Kenneday family who cultivated the land. Outbuildings were added over time to support the farm’s functions. In 1908, after purchasing the property, the Tubbs brothers enclosed the porch, added windows, created an indoor plant space and a larger dining room. Most of the furnishings originated in the Tubbs family and date to the early 19th century. The Asian furniture and decorative pieces were collected by Henry (Japanese decorative pieces) and Robert (Chinese pieces).

The Dining Room, once the center of family life, features an open-hearth fireplace with an intact crane and utensils. Adjacent is a small warming oven. Attached are three images of the fireplace with the three decorative panels stenciled by Henry Tubbs above.

The formal Front Parlor has a number of Asian pieces. The Chinese ceremonial bronze tripod incense burner is marked ‘Imperial Treasure’ and appears to be several hundreds years old. The wall hangings include six panels depicting family, military and official life. The two large paintings are of the last Empress Dowager and the Emperor and date to circa 1850.

The Book Room is the most lavishly decorated architecturally and dates to early 19th century. It is believed that the ornate classic molding, pilasters, paneled walls and built in bookcases were crafted by a relative of the Kennadays (the original owners) as re-payment for a loan.

In 1912, the Tubbs brothers added a kitchen wing and third floor. A porch was incorporated into the dining room and an entrance portico with features typical of early 20th century Colonial Revival design, was added. In the 1930’s the Lord & Burnham glass conservatory was added with decorative Moravian tiles – a gift of Henry Mercer, a family friend and tile manufacturer associated with the American Arts and Crafts movement.

The gardens were planned to align with the house. From the front door the eye is drawn to the beautiful wrought iron gate opening to the Cottage Garden and then beyond to the hillside and its changing colors. With the back door open, the eye is drawn down the center aisle of Pan’s Garden to the statue at the end. In this way, the house and landscape are integrated.

Bonus images: Early Tubbs Christmas Cards and photo of Winter at Stone Cottage & Tubbs House